93XRT/Goose Island BIG Holiday Concert with Nathaniel Rateliff & The Night Sweats

93XRT/Goose Island BIG Holiday Concert with Nathaniel Rateliff & The Night Sweats

Mavis Staples

Wed. Dec 7

Doors: 6:30 pm / Show: 7:30 pm

The Chicago Theatre

$39.50 - $49.50

Sold Out

This event is all ages

Nathaniel Rateliff & The Night Sweats
Nathaniel Rateliff & the Night Sweats practically explodes with deep, primal and ecstatic soulfulness. This stunning work isn't just soul stirring, it's also soul baring, and the combination is absolutely devastating to behold. You don't just listen to this record—you experience it. So it's entirely fitting that the self-titled album will bear the iconic logo of Stax Records, because at certain moments Rateliff seems to be channeling soul greats like Otis Redding and Sam & Dave.
But as this gifted multi-instrumentalist honors the legacy of the legendary Memphis label, he's also setting out into audacious new territory.

Those who were beguiled by In Memory of Loss, Rateliff's folky, bittersweet 2010 Rounder album, will be in for an initial shock when they spin Nathaniel Rateliff & The Night Sweats. But when you delve beneath the rawboned surface of the new album's wall-rattling presentation, with its deep-gut grooves, snaky guitars, churning Hammond and irresistible horns, you'll find that same sensitive, introspective dude, who bravely tells it like it is, breaking through his reticence to expose often harsh truths about the life he's lived, the people he's hurt and the despair he's struggled with. The difference between the two albums is that the Nights Sweats' funkiness insulates the starkly confessional nature of Rateliff's songs while at the same time underscoring their emotional extremes.

The place where Rateliff is coming from is intensely real and intimate. Doing what he does is an act of bravery. "These songs are about the struggles I've had in my life—drinking too much, that kind of crap," he says with characteristic candor, punctuating the admission with a rueful laugh. "And then the relationships we all have. I'm not a great communicator in my personal life, so it's funny to be writing songs that say the things that I'm never very good at saying. It's taken me a long time to figure that out. I'm trying to be a better communicator, but it's horribly awkward—it's awful—to tell somebody something you know is gonna hurt their feelings. I've always been one to go, oh, I'll just eat this one; it'll be okay."
As the band blazes away on the soul-rock rave-up "I Need Never Get Old," the visceral "Howling at Nothing" and the supercharged "Trying So Hard Not to Know" (key line: "Who gives a damn and very few can"), which open the album with a sustained outpouring of torrid intensity, Rateliff is opening himself up emotionally as well as physically, the raw grit in his voice conveying anguish and hope in equal measure. The buoyant immediacy of the music makes the hard truths embedded in the songs easier to swallow than it would be in Rateliff's other primary mode—a solitary guy with a guitar, the brim of his baseball cap pulled down, putting his heart and guts on the line without the protection of his simpatico cohorts. Make no mistake, these songs would stop you in their tracks presented in that naked way as well, but the additional layers of soulfulness provided by the Night Sweats—its core comprising guitarist Joseph Pope III, drummer Patrick Meese and keyboardist Mark Shusterman—bring a convergence of intensities, musical and psychological, to the performances.
Mavis Staples
Mavis Staples
Mavis Staples is living, breathing history. She is an alchemist of American music, having continuously crossed genre lines like no musician since Ray Charles. Weaving herself into the very fabric of gospel, soul, folk, pop, R&B, blues, rock, and hip hop over the last 60 years, this iconic singer has seen and sung through so many changes, always rising up to meet every road.

Now in her seventh decade, with the release of her new album Livin' on a High Note (ANTI-), she is only gaining momentum. Produced by M. Ward with songs by Neko Case, Justin Vernon, Nick Cave, Ben Harper, Tune-Yards, Aloe Blacc and others, the album serves as a summation and furtherance of her illustrious career. Refusing to fade away, she continues to tour incessantly, remaining as vital, engaged, and true as always. There is no persona; she is, simply and untouchably, Mavis—and Livin' on a High Note is the symphony of her life.

"I think about this album as a new beginning in my career," says Mavis. "I'm living on a high note, I'm floating on air. I know I don't have as much time on this Earth as I've already had, but I see it as saying, 'Mavis has been here, y'all.' Before I move on, I just want to leave some Mavis with you that you're not used to hearing. I want to leave you with some joy and love, and some don't-forget-me songs."

And with those words, her high note is revealed not as a pinnacle of ease and wealth but as a righteous life. Mavis is here, having weaved in and through all that fabric for all these many years, to show us that true joy lies simply in living for others. It's the sermon Dr. King gave all those years ago, and we must be grateful that she is able to echo it for us now. Mavis takes us—not only there, but back, up, and through.

Since her first recording at age 13 in 1954, Mavis Staples has learned from, worked with, and schooled countless legends, and has brought her own timeless talent to every performance. From the Delta-inflected gospel sound she helped create in the 1950s with her father, Pops, and her brother and sisters as The Staple Singers, to the freedom songs of the Civil Rights era, to pop radio stardom during the Stax era with hits "I'll Take You There" and "Respect Yourself," to The Last Waltz, to serving as muse to both Bob Dylan and Prince at the peak of their careers, to 21st century collaborations with Van Morrison, Billy Preston, Zac Brown, Ry Cooder, Chuck D. and Willie Nelson, to her GRAMMY®-winning partnership with fellow Chicagoan Jeff Tweedy, the one constant has been Mavis and her singular voice. She has embraced her evolution, absorbing new sounds and ideas, rising to meet the challenges of longevity and bringing her message of hope and positivity to new listeners, song after song, show after show.
Venue Information:
The Chicago Theatre
175 N. State Street
Chicago, IL, 60601
http://www.thechicagotheatre.com/